Young and Beautiful (Jeune et Jolie)

François Ozon loves women, and he certainly knows how to capture their complexities. His new feature, Jeune et Jolie is one of the movies competing for this year’s prestigious Palme d’Or award at Cannes Film Festival. While the title suggests a light story, fresh and happy, it is not. Isabelle/Lea (depending on what she does each day), played by Marine Vacth, loses her virginity during her 17^th summer. Living in a beautiful Parisian flat with her doctor mother, kind stepfather and conniving brother, this gorgeous young woman decides to become a prostitute. In secret, she then meets with a lot of different men, and one in particular.

Evolving, along with her environment, with grace and voluptuousness, Vacth delivers a performance with great sensuality, sometimes fevered but always sensible. Her indifference is disturbing, which makes her rare breakdowns even more touching. Geraldine Pailhas, as a lost mother able neither to understand nor help her daughter, is a successful choice. Charlotte Rampling’s emotional appearance at the end of the movie seems like a director’s wink to say that being young and beautiful can last a lifetime.

Ozon doesn’t want to explain the situation, and expertly erects a smokescreen around the possible reasons for his muse’s behaviour. Through the year’s varying seasons, his camera follows this little girl becoming an adult in her own way – the way she wants to. She doesn’t seem to know how to grow up, physically or psychologically, and the director has no intention of judging her. To play down the tragedy of the characters’ circumstances, touches of humour are scattered throughout, further improving an already excellent piece of cinema.

 Liloïe Cazorla

Read more reviews from Cannes Film Festival here.

For further information about the festival visit the official website here.

Watch the trailer for Young and Beautiful (Jeune et Jolie) here