Death of a Bachelor by Panic! At the Disco
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Over the past few years and their most recent trio of albums, Panic! At the Disco frontman Brendon Urie has found himself at the centre of an ever-expanding nimbus of departing bandmates and touring members. Perhaps this mercurial roster has confused Urie’s musical direction for, like a compass held between strong magnets, Panic!’s fifth studio album Death of a Bachelor veers wildly between styles as disparate as hip-hop, Ratpack swing and, of course, the emo-pop that is synonymous with their sound.
Thematically, Death of a Bachelor is less jumbled, largely charting a familiar course for Panic! fans. Whether it’s the sneering, straining vocals of Don’t Threaten Me with a Good Time, the angsty and honest lyrics of Golden Days or the weighty chords of Crazy = Genius, Panic! are still catering to a generation who are ironically unique in just how misunderstood they are. Although this material certainly doesn’t tread new ground, it is undeniably catchy – Hallelujah, in particular, with its clap-your-hands beat and riotously pretentious lyrics (“being blue is better than being over it” is a highlight). In a similarly self-absorbed vein, Urie also takes shots at the mainstream through the pop riffs of LA Devotee, which wouldn’t sound out of place on a Taylor Swift album.
In contrast to material that seems comfortable to retread earlier Panic! works like 2013’s Miss Jackson, the other standout track here is the eponymous Death of a Bachelor. Eschewing the bombast and racing energy found throughout Panic!’s better known tracks, Death of a Bachelor instead mashes up laid-back hip-hop bass with saxophones and crooning vocals in a refreshingly downtempo number. (Although Urie cites Sinatra as a key influence for this album, Michael Bublé is probably a closer approximation.)
These highlights aside, however, Death of a Bachelor never quite shines. Although Panic! At the Disco are still an undoubtedly powerful force (the album released at Number 1 in the US Billboard 200 Album Chart) and are followed by countless fans of their definitive emo and pop-rock sound, the group’s latest effort fails to break new ground and isn’t brilliant enough to warrant resting on its musical laurels.
Thomas Davidson
Death of a Bachelor is released on 15th January 2016, for further information or to order the album visit here.
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