Culture Theatre

Macbeths at the Hope Theatre

Macbeths at the Hope Theatre
Macbeths at the Hope Theatre | Theatre review

Based on Shakespeare’s shortest tragedy, David Fairs’ Macbeths focuses solely on the relationship between Lady Macbeth and her husband, whom she refers to only as Thane. Opening three years ago, the Hope Theatre is a 50-seat venue situated upstairs at the Hope & Anchor pub. The theatre has transferred two of its productions to the West End and prides itself on showcasing an array of performances that include classics as well as material from new and upcoming writers.

Fairs’ Macbeths uses all of Shakespeare’s original language, but the setting and the characters are brought into the present. Taking place solely in a bedroom with nothing save a chair and a table, the audience form a semi-circle around the two actors, framing part of the intimacy and the tumultuous nature of their relationship. Subtle music is added for dramatic effect, which works alongside the plain domestic interior, highlighting both the power of the language and the performances. Sarah Lambie as Lady Macbeth and David Fairs as Thane demonstrate their talent in an incredibly mature and polished performance, working exceedingly well together throughout, whether revealing their characters’ lust for one another, or screaming and fighting like many partners do.

For non-Shakespeare enthusiasts, the language can deem difficult and off-putting. But Fairs’ re-orchestration of the tragedy through the lens of Thane and Lady Macbeth demonstrates the power of relationships and how compelling the language and message become when told through the perspective of only two people in a setting that shows them in their most vulnerable state. Is love able to conquer all? Or do power, deceit, and bloodshed come at the forefront of defending one’s nation? Macbeths invites the audience to see that although many feelings and decisions are put into a relationship, sometimes it is at the expense of the other person.

Samantha Katz

Macbeths is on at the Hope Theatre from 26th July until 3rd August 2016, for further information or to book visit here.

More in Theatre

Giffords Circus’ Waterfield at Chiswick House & Gardens

Cristiana Ferrauti

Irish Cultural Centre launches inaugural Shaw Festival celebrating George Bernard Shaw’s legacy

The editorial unit

The Harder They Come at Theatre Royal Stratford East

Benedetta Mancusi

Care at the Young Vic

Maggie O'Shea

Northern Ballet: Gentleman Jack at Sadler’s Wells

Gala Woolley

London Clown Festival marks tenth anniversary with international line-up across Soho Theatre and Jacksons Lane

The editorial unit

Quartet in Autumn at Arcola Theatre

Madison Sotos

Mother Courage and Her Children at Shakespeare’s Globe

Chloe Vilarrubi

The Boy Who Harnessed The Wind at Soho Place

Emilia Gould