Palmer//Harding tapped into goth silhouttes for autumn/winter 2017. At their presentation a diverse spectrum of models roamed with attitude through blackened wood chippings wearing standard items reinvented and layered into new abstract shapes: coats with buttoned gaping edges at the back; shirts worn carelessly off the shoulder and down to the knee as dresses or transformed into cape-like structures.
Goth-glam laced ankle boots cut the line of calf length skirts while other looks are accompanied with multiple strapped stilettos. A predominantly black and white palette was broken up with a soft orange, mundane blue, green and soft pink.
A mix of fabrics were used, from draping rich velvet to leather waistbands and long gloves. Smart tailoring was daring and distorted and hanging shapes were made sensual through cinched-in waists and high splits. It was a fascinating collection full of drama, discovery and reinvention.
Sarah Bradbury Photos: Erol Birsen
For further information about Palmer//Harding visit here.
It’s not often you find theatre directors and writers describe their work as idiotic, but that’s exactly what Cole Escola and Sam Pinkleton do in the programme for their Tony-award winning play Oh, Mary! Portraying the farcically fictional story of First Lady Mary Todd, wife of the 16th President of the United...
Facebook
Twitter
Instagram
YouTube
RSS