Three Floors
From the director of Palme d’Or-winning The Son’s Room, Nanni Moretti, comes Three Floors, a film about the residents of a three-storey building in Rome. The first resident introduced is Monica (Alba Rohrwacher), a new mother whose husband is constantly away at work. As she struggles with parenthood – and the fear that her mother’s mental illness will be passed on to her now that she has given birth – her married neighbours Dora (Margherita Buy) and Vittorio (Moretti himself), two judges, must grapple with their son Andrea (Alessandro Sperduti) who drunkenly crashed their car into the building, hitting and killing a woman in the process.
On the bottom floor, parents Lucio (Riccardo Scamarcio) and Sara (Elena Lietti) of nine-year-old Francesca fear their ageing neighbour Renato (Paolo Graziosi) – who babysits their daughter and demands kisses – has interfered with her when they find them lost in a park. The story jumps five years and then another five as the families deal with rape accusations, prison, fallings-out and death. Dora tries to rekindle her relationship with Andrea after he is released from prison and must face up to her mistakes as a parent, and Monica grows lonelier and more afraid of her loss of mental stability.
This isn’t awful but it isn’t great either. It’s a comedy-drama and the incorporation of themes such as paedophilia and rape do not sit right with the tone of the story. It handles its other subjects well, and Buy plays the mother and wife caught between the two men she loves with such ease. Scamarcio offers brilliant comedic timing, too. Three Floors strives to be an Italian Woody Allen or Richard Curtis but doesn’t have the charm or the sharp dialogue, making it an unmemorable and generic drama-somewhat-comedy.
Emma Kiely
Three Floors is released in select cinemas on 18th March 2022.
Watch the trailer for Three Floors here:
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