Culture Art

Barbara Chase-Riboud: Infinite Folds at the Serpentine Gallery

Barbara Chase-Riboud: Infinite Folds at the Serpentine Gallery | Exhibition review

The first UK exhibition dedicated to the works of visual artist, sculptor, novelist and poet Barbara Chase-Riboud celebrates her 70-year career with a focus on her large-scale sculptures.

Many of her works are inspired by her extensive travels, which led her to absorb different approaches to art-making and combine them in her own unique way. Incorporating cast bronze or aluminium alongside wool and silk, her pieces are often characterised by a juxtaposition of materials and contrasting elements designed to challenge the norm. She describes this playful merging of opposites as “reversing and upsetting the established order and hierarchy of parts, as only a true revolutionary does”.

A recurring theme is memory, and the commemoration of historical figures. A series of drawings imagines monuments dedicated to political and artistic figures such as Nelson Mandela, Malcom X and Marquis de Sade. Another room showcases obelisk-like structures evoking ancient rituals, while other smaller figures are reminiscent of the forms of Alberto Giacometti (whom she met in 1962), although they are more conceptual. 

From sculptures such as Adam and Eve (1958), in which two abstract figures are entwined under a tree, to her recent Numero Rouge (2021), where crimson-stained bronze and red ropes are combined, most of her creations have enigmatic shapes that invite closer inspection. The towering two-metre-high La Musica Josephine Red/ Black (2021) is a black patina bronze homage to dancer, singer and activist Josephine Baker, whom Chase-Riboud felt inspired by to due to their parallel journeys as creatives moving from the US to Europe.

References to history, legacy and power are central to Chase-Riboud’s creations but are not visually evident. What is immediately striking are the intriguing forms that captivate with their unique structures and an air of mystery. Overall, this is a well-deserved celebration of the prolific artist. 

Mersa Auda

Barbara Chase-Riboud: Infinite Folds is at the Serpentine Gallery from 11th October until 29th January 2023. For further information visit the exhibition’s website here.

More in Art

Cartier at the V&A

Constance A

1880 THAT: Christine Sun Kim and Thomas Mader at Wellcome Collection

Christina Yang

José María Velasco: A View of Mexico at the National Gallery

James White

The Edwardians: Age of Elegance at The King’s Gallery

Constance A

Carracci Cartoons: Myths in the Making at the National Gallery

James White

Wellington’s Dutch Masterpieces at Apsley House

James White

Giuseppe Penone: Thoughts in the Roots at Serpentine South Gallery

Constance A

Ed Atkins at Tate Britain

Christina Yang

Fragments of Folklore: A landmark exhibition reimagines tradition in contemporary Saudi Arabia

The editorial unit