Wicked Little Letters: On the red carpet with Jessie Buckley, Olivia Colman, Hugh Skinner and Timothy Spall at the London premiere

When you think of your average period drama, what first springs to mind? Delicate costuming, verbose dialogue and simmering sexual tension when eyes lock across ballrooms? Well, push such preconceptions to the side when diving into Thea Sharrock’s (Me Before You) Wicked Little Letters, in which 1920s women give some of Guy Ritchie’s modern-day gangsters a run for their money on foul-mouthed banter.

Leading the charge as two warring former mates, the pious spinster Edith Swan and wild Irish lass Rose Gooding, are Olivia Colman and Jessie Buckley. Firm real-life friends, they have previously acted in the same film (The Lost Daughter), but as older/younger versions of the same character, so this is a first to see them sharing the screen – and it’s every bit as brilliant as you’d imagine. Their offscreen friendship no doubt adds to the bristling chemistry and tension, and both play their requisite roles with gusto, if a little caricatured.

The plot is introduced as a kind of crime mystery, to discover who in the sleepy seaside town of Littlehampton has been sending some rather scandalously obscene letters, first to Edith and then to many others in the community – but it’s not what keeps one glued. It’s the cast of delightful characters, spearheaded by Anjana Vasan as Police Officer Gladys Moss, who must face the sharp end of the rife misogyny in the police station and beyond (Hugh Skinner and Paul Chahidi land their Laurel and Hardy-esque skits with glee), but is far too tenacious not to seek justice at any cost. 

In the case of stranger-than-fiction, the story, penned by Jonny Sweet, is actually based on a real one, and beneath the slapstick there are some serious points made about how women were – and are – treated by a patriarchal society (as personified in Edith’s father, played with venom by Timothy Spall), as well as by history, which often leaves their tales untold. Utterly charming and laugh-out-loud funny, this film looks like it was a blast to make, and is just as much fun to watch.

The Upcoming had the chance to hit the blue carpet at the London premiere to hear about all things sweary and profound. Buckley reflected on portraying Rose as a vibrant, unyielding force against societal constraints. She enjoyed the liberating role and the on-set camaraderie, especially with Olivia, leading to infectious laughter and memorable scenes. Buckley admired Rose’s and previous characters’ resilience, learning and growing from each.

Vasan highlighted the movie’s humorous and subtly political narrative, through the perspective of her character, Gladys. She praised the chemistry between Buckley and Colman, emphasising the film’s focus on female friendship, societal reminders and overcoming underestimation. Vasan also teases her upcoming project, We Are Lady Parts.

Malachi Kirby discussed his enjoyment of the comedic, yet scandalous period drama and the film’s irreverent approach to historical events. Preparing for his role involved minimal effort, thanks to a talented cast and the need to maintain the comedic tone. Kirby praised co-star Buckley’s exceptional acting skills and shared his fondness for simpler, intimate scenes. He spoke of the film’s blend of humour and serious undertones, hoping audiences appreciate its laughter amidst societal critiques. Kirby also mentioned his upcoming projects, Ananci Boys and A Thousand Blows, and expressed an open-minded approach to future roles.

Skinner stopped to chat about his dim-witted but power-enjoying character Constable Papperwick. He highlighted the comedy’s unique blend of mystery, commentary and explicit language, praising the script’s originality and the true story it’s based on. The actor admired his talented co-stars, especially in comedic and intense scenes, and reflected on the film’s underlying messages about misogyny and societal progress. He expressed his love for comedy and hinted at his future projects.

Alisha Weir discussed her role as Nancy, reflecting on her character’s cheekiness. She enjoyed working with Buckley and Colman, learning guitar for the role and appreciated the film’s blend of humour and heart. Weir also mentioned her excitement for an upcoming horror film and her love for the genre.

Jason Watkins spoke to us about the movie’s unexpected, fun nature and its mix of 1920s crime caper elements with surprising profanity. He appreciates the stellar British cast, including Skinner, and the blend of comedy with period drama. Watkins plays a character representing patriarchy and discusses working with Colman and Buckley, praising their talent and on-set humour. He hopes the film addresses societal misogyny while providing joy and acknowledges the depth brought by the director. The actor looks forward to rest and upcoming projects.

Lolly Adefope chatted about playing Kate, a post office worker, in a film teeming with swearing and wit. She relished the tension and vicious undertones among characters, likening it to Real Housewives. Working with Colman and Buckley was a highlight, appreciating their dynamic. Adefope enjoyed filming on picturesque beaches and dramatic scenes, and the film’s balance of comedy and critical commentary on misogyny and the impact of words. She is next involved in The Franchise, a show about a superhero film crew.

Spall shared insights into his character, portraying a man overwhelmed by deep-seated fears and hatred, resistant to change or psychoanalysis. He humorously noted his personal aversion to writing spiteful letters, doubting their effectiveness.

Colman further discussed her character’s complexity and the joy of playing diverse roles. She emphasised the importance of representing women on screen, citing Barbie and Bridesmaids as successful examples.

Sarah Bradbury

Wicked Little Letters is released nationwide on 23^rd February 2024.

Watch the trailer for Wicked Little Letters here: