Orchestral Manoeuvres in the Dark at the O2 Arena

One of the finest bands to emerge out of the British synth-pop era, Orchestral Manoeuvres in the Dark (OMD), play their biggest London set yet in the iconic O2 arena: surprising, since the band have been together for over 40 years, but a much welcome treat for fans.

The setlist is excellently curated, with classic hits and tunes from their latest album, Bauhaus Staircase. Frontman and bassist Andy McCluskey is in high spirits throughout, and thanks fellow 1980s singer Howard Jones, the support act tonight. First of the classic and gorgeously nostalgic hits, Messages, sounds exactly as it did on its original release. With their signature synthesiser sounds provided by Paul Humphreys and Martin Cooper, the audience are clearly reminiscing, on their feet from the start; McCluskey charmingly asks, “I assume you already have your dancing shoes on, yes?” Quick to follow, is another hit single, Tesla Girls, after which the bassist exclaims how good it is to see so many smiling faces. Cynically wishing us good luck in the upcoming elections before performing Kleptocracy, it is this bittersweet thread of truth that runs through the band’s music and tonight’s show. McCluskey is a natural frontman, charismatic, funny and charming, everything you’d want in a lead. He’s also got quite a few good dance moves in him, and is evidently a fan of clapping to the beat, which he does with refreshing verve.

If You Leave is the breathtakingly beautiful tune many are waiting for, the backdrop Molly Ringwald in Pretty in Pink; just this track alone is enough to make you a fan and the saxophone is the crème de la crème. The fun (Forever) Live and Die is also another joyous experience, this time Jones singing the lead, with monochrome visuals. Heartbreakingly melancholic and another much-anticipated track, Souvenir, is instantly identifiable through its synthesiser introduction, enough to send chills, with matching unforgettable lyrics. If only the classics were performed as extended tracks, ending too soon.

OMD’s new material is still relevant and a testament to an unwavering determination in maintaining their sound, not giving into the masses, like the calming and emotive Veruschka. With So In Love, you know you’ll cherish these moments for years to come.

Poignant tracks are counterbalanced with jovial tunes such as the catchy Locomotion, while the encore includes anti-war song Enola Gay, finishing off with signature OMD track Electricity, modernity running through their extensive oeuvre.

At the height of their powers, the synth-pop pioneers are a delectable aural and visual treat from start to finish, incorporating a crisp, clean sound. A wonderful hark back to the bygone era, OMD may have released their final album, but these national treasures aren’t going anywhere anytime soon.

Selina Begum
Photos: Virginie Viche

For further information and future events visit Orchestral Manoeuvres in the Dark’s website here.

Watch the video for the single Kelptocracy here: