Maggie Rogers – Don’t Forget Me
Partially inspired by the artist’s own experiences – diaristic in a way, imbued with nostalgia and slices of her past selves – partially a fictional character’s journey of self-discovery, in Don’t Forget Me Maggie Rogers finds a great balance between introspection and action. Looking inward whilst moving on and looking forward; looking at the road ahead, while the listener can close their eyes and enjoy the pop-folk ride, as if on a car trip with Rogers and her friends and characters.
The album was co-produced by the singer-songwriter and Ian Fitchuk, who also co-wrote eight of the ten tracks. There’s a raw authenticity to the sound and lyrics, reminiscent of Fleetwood Mac, that can be attributed to the making process itself: most of them are first takes, and part of a deliberate decision to record for the sake of telling all these stories waiting to come out, rather than wanting to make a perfectly polished album. In the end, it pays off.
The powerful opening track, It Was Coming All Along, is one of the highlights: pop meets country folk, telling a personal yet universal story of heartbreak and healing. Similarly fast-paced and raw comes Drunk: it makes one want to stand up and dance while shouting the words out of the car window. This is the one that will certainly be a treat to see being performed live. Towards the middle of this journey, the pace then slows down for the more introspective moments of the album: staring out of the window and soaking it all in, mouthing words through closed lips instead of shouting them. I Still Do is one of those moments: a spine-chilling piano ballad. It is singular for its evocative power. A whisky-scented room, photographs strewn across the floor; the lyrics are simple yet poignant, with authentic emotions flowing out of Rogers’ voice.
The titular track, Don’t Forget Me, comes at the very end, as a final and definite punch in the guts. It is both a plea to a past lover – “I get this feeling like I’m fading from your memory / So I wrote this song and called it ‘Don’t Forget Me; / Every time you hear it, will you smile?” – and a conversation with herself, as if taken from a page of her diary. Rogers is addressing someone while also talking to everyone who’s ever gone through a specific phase of heartbreak: the fear of fading from the other’s memories, and trying to keep those memories alive through art. Not an attempt to get back together, but a way to honour and cherish a love that once was.
Overall, Don’t Forget Me has some superb storytelling that confirms this artist’s talent for adapting life as well as fiction into music.
Benedetta Mancusi
Image: Margaret Eshalman
Don’t Forget Me is released on 12th April 2024. For further information or to order the album visit Maggie Rogers’s website here.
Watch the video for the single Don’t Forget Me here:
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