The Choir of Man at Arts Theatre

The Choir of Man doesn’t follow the traditional theatre format (if today we can still make that distinction): but the show does promise, and successfully delivers, a jolly good night out.

The Jungle is the quintessential local, rowdy pub, complete with outdated wallpaper, sticky floors and a stereotypical crowd of regulars. However, this venue challenges conventional ideas of masculinity and of such places as simply filled with heavy drinkers. Theatregoers are invited to immerse themselves in, reflect on and appreciate the unique and shared stories of the men here. The eight-plus-one characters tell their tales via monologues written by Ben Norris, eloquently recited in rhyme by the poet Sam Ebenezer, who has transitioned from a swing role to a permanent and central one in this production’s second year at the Arts Theatre. Additionally, impeccably performed songs navigate life’s highs and lows, humorously recalling the past and vividly capturing the present.

Jack Blume has put together a score that reinterprets classic hits in exciting, harmonious ways. Songs such as 500 Miles and Escape (The Piña Colada Song), alongside instrumental and acapella renditions of Hello, Chandelier and Under the Bridge, draw from a variety of genres and eras, proving pretty much impossible to resist singing along to. The stage frequently sees instruments changing hands among the performers, supported by a four-member band that plays during upbeat numbers – a special mention must go to Darius Luke Thompson on the violin. And when the right type of tune kicks in, the fun is infectious.

In the first part of the show, the actors descend into the audience to bring people on stage, leading to hilarious improvised moments. Needless to say, the fourth wall is practically nonexistent, and together with the random distribution of beer and the encouragement of the public to join in with the choir, whether by screaming or clapping, the 90-minute performance certainly ticks the box for being engaging and lively.

However, the total lack of a narrative thread is one chink in Nic Doodson’s armour. A minimal plot or subtle theme could have helped alleviate the confusion caused by the random sequence of the songs and overlapping personal stories. The few glimpses into these stories come only through the poet’s extended monologues, which sometimes linger too long, leaving the other eight actors sitting passively on stage.

That said, new cast members Sam Pope, playing the Joker, and Olugbenga Adelekan, enhance the production, showcasing the high calibre of talent that brings The Jungle to life with their vocal prowess and cabaret-style synchronised movements.

Cristiana Ferrauti
Images: Richard Davenport

The Choir of Man is at Arts Theatre from 12^th March until 1^st January 1970. For further information or to book visit the theatre’s website here.