Film festivals Venice Film Festival 2024

Feeling Better (Nonostante)

Venice Film Festival 2024: Feeling Better (Nonostante) | Review

In Valerio Mastandrea’s Feeling Better, coma patients walk as unseen ghosts while their bodies remain in their hospital bed. One such patient is an unnamed man (played by Mastandrea) who loves the freedom this existence grants him. Without a care in the world, he spends his days roaming the hospital and talking to his fellow spectral residents. However, his routine is interrupted when a newcomer (Dolores Fonzi) is admitted to the ward. Although he’s initially displeased that she’s taking his room, the pair soon strike up a friendship that blossoms into something more. But with the inevitability of recovery or death certain to take them out of this limbo, they know that their relationship can’t last.

There are some fascinating ideas at play in this film. The call of death, for example, comes as a powerful gust of wind where patients must literally hold on to cling to life or else be swept away. It’s an inventive metaphor for the characters’ state of being which also serves as a demonstration of the playful personality the filmmaker brings to his second feature. Whether its Mastandrea channelling this gleeful energy in his own performance or seeing the patients find themselves at a medieval battle recreation, there’s an irresistible charm to this quirky flick.

The director balances the tragic circumstance with oddball humour to create some wonderfully bittersweet moments, with one of the standout sequences seeing Mastandrea and Fonzi having a romantic walk at the bottom of a swimming pool, all set to a beautiful song. And when the inevitable eventually does happen, the final stretch is executed with as much whimsical beauty as the rest of the film.

Despite everything Feeling Better does wonderfully well, it has one detrimental flaw: there’s not enough romance between the leads. Although the actors work well onscreen together, the actual romantic part of their connection doesn’t get underway until towards the last act. It’s possible that this was intended to make its outcome that much more heartbreaking, but without getting to spend time with them as their relationship develops, its hard to care about their love as much as they do.

Feeling Better is a unique and effortlessly endearing love story about two people on the cusp of death. It’s therefore unfortunate that there’s not enough time spent nurturing their romance before the film reaches its heartfelt conclusion.

Andrew Murray

Read more reviews from our Venice Film Festival coverage here.

For further information about the event visit the Venice Film Festival website here.

Watch a clip for Feeling Better (Nonostante) here:

More in Film festivals

Red Sea International Film Festival 2025: Giant

Laura Della Corte

“It’s really complicated. It’s really hard if you put yourself in his shoes”: Nawaf Al Dhufairi, Raghad Bokhari and Lana Komsany on Hijra at Red Sea International Film Festival 2025

Laura Della Corte

“Why didn’t I raise my voice for the Rohingya people?”: Akio Fujimoto on Lost Land at Red Sea International Film Festival 2025

Laura Della Corte

“When you live with someone with a harsh mental illness, you can really sink with them”: Zain Duraie and Alaa Alasad on Sink at Red Sea International Film Festival 2025

Laura Della Corte

“It felt quite absurd to be part of that social jungle”: Sara Balghonaim on Irtizaz at Red Sea International Film Festival 2025

Laura Della Corte

Red Sea International Film Festival 2025: Highlights and interviews with Juliette Binoche, Shigeru Umebayashi, Sir Anthony Hopkins, Idris Elba, and More

Laura Della Corte

“All that matters, I think, is the partnership”: Amira Diab on Wedding Rehearsal at Red Sea International Film Festival 2025

Laura Della Corte

“I believe inside each human being there is an artist”: Mohamed Jabarah Al-Daradji, Hussein Raad Zuwayr and Samar Kazem Jawad on Irkalla – Gilgamesh Dream

Laura Della Corte

“When you try to forget the trauma without fixing it, it will never leave”: Yanis Koussim on Roqia at Red Sea International Film Festival 2025

Laura Della Corte