Premiering in London back in 1978, Alterations by Guyanese writer Michael Abbensetts sees its first major revival at London’s National Theatre. We meet tailor Walker Holt; tasked with fulfilling a nigh-on impossible order, he devotes 24 hours to getting the job done. As tensions inevitably rise, Walker and those around him are pushed to their limits and secrets and lies become undone.
While the play centres specifically on the Guyanese experience in 1970s London and the Windrush generation, it also offers a timely voice for the wider immigrant community. Although much is to be gained from settling here, inevitably, a host of sacrifices must be made along the way.
Arinzé Kene excels as Walker and showcases superb comedic timing while also conveying the stress and strife of his conflicted character. Motivated by money, our protagonist learns there is much more to life than material possessions. Kene is well supported by Karl Collins, Gershwyn Eustache Jnr, Raphel Famotibe and Colin Mace. Cherrelle Skeete, as supportive wife Darlene, also excels.
Frankie Bradshaw offers a revolving stage showcasing the shop. Over two hours sans interval, we feel the pressure of our protagonist and are fully entrenched in his world. Artistic Director of the Bush Theatre, Lynette Linton – who has her own familial ties to Guyana – is at the helm. It affords the play an empathetic, personal stamp, allowing the comedy to flourish without its undertones ever being shied away from. The director, who is sadly soon to depart the West London theatre, enjoyed immense success with Shifters last year, and as this production proves, she is only becoming increasingly assured in her craft. With fine performances, this laugh-out-loud yet deep and meaningful production provides a memorable theatrical experience. With some tweaking and tightening, thanks to script updates by Trish Cooke, Alterations feels as timely as ever despite its age.
★★★★★
Jonathan Marshall Photos: Marc Brenner
Alterations is at the National Theatre from 20th February until 5th April 2025. For further information or to book visit the theatre’s website here.
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