Culture Theatre

Vincent River at Park Theatre

Vincent River at Park Theatre
Vincent River at Park Theatre | Theatre review

Returning to the stage after hit productions at the Hampstead Theatre in 2001 and on the West End in 2007, Vincent River is an elegant exploration of loss, love and tragedy by accomplished playwright Philip Ridley. In the play, Anita and Davey have seen two sides of the same trauma. They find themselves together, quite unexpectedly, in Anita’s living room, which for the duration of this stirring production transforms itself into a space somewhere between a therapist’s couch and a church confessional.

The Park Theatre provides a perfectly intimate setting for Vincent River, where a pared-down set has enabled director Robert Chevara to use a small space inventively and powerfully. Despite this, the audience cannot help but be transfixed as the two actors create an expansive sense of the memories that have fatefully led them to the tight confines of the living room.

Much of this is owed to the terrific chemistry between Louise Jameson (Anita) and Thomas Mahy (Davey), allowing the piece to shift quickly and effectively between the heart-warming and heart-rending. Jameson is intensely human, full of pathos and affection in equal measure, and both succeed in pulling no emotional punches without straying into the mawkish. 

Anita and Davey smoke and drink their way through a deeply honest sharing of emotions on violence, grief and sexuality. The work sees hatred as something all too common and destructive in equal measure – so a production of Vincent River could not have come at a more important time. It is an invitation to reflect. As a play, then, it cements Ridley’s reputation as a versatile writer who is able to engage head on with difficult issues and elicit rage and empathy alike from audiences. Vincent River is a timely reminder of human frailty and of our need to find solace and redemption in one another.

Daniel Amir
Photo: David Monteith Hodge

Vincent River is at Park Theatre from 20th March until 14th April 2018. For further information or to book visit the theatre’s website here.

More in Theatre

Grace Pervades at Theatre Royal Haymarket

Jim Compton-Hall

A Midsummer Night’s Dream at Shakespeare’s Globe

Thomas Messner

Chat Noir at The Lost Estate

Jim Compton-Hall

Secret Shakespeare transforms Julius Caesar into immersive open-air experience at Reading Abbey Ruins

The editorial unit

Alex Wheatle Day to launch at Peckham Fringe celebrating legacy of “Brixton Bard”

The editorial unit

Please Please Me at Kiln Theatre

Maggie O'Shea

The Price at Marylebone Theatre

Natallia Pearmain

John Proctor is the Villain at Wyndham’s Theatre

Gala Woolley

Don Quixote at Sadler’s Wells

Sophie Humphrey