Culture Cinema & Tv Show reviews

The Sandman

The Sandman | Show review

The Sandman is a fantasy fable brought to the screen by DC Comics and adapted from a collative set of graphic novels written between 1989 and 1996 by Neil Gaiman. The Netflix series has been developed with a creative team including David S Goyer and Allan Heinberg, and modifies the first two volumes from Gaiman’s original works.

The story weaves around the central character of Morpheus (Tom Sturridge), the King of Dreams, who is part of the Endless family. He is summoned with an occult ritual by a wealthy man called Roderick Burgess (Charles Dance) and held captive in a huge glass case for over a century, meanwhile his three objects of power (his helm, his ruby and his pouch of sand) are whisked away. This incarceration causes all sorts of horrors like the sleeping sickness (or “encephalitis lethargica”, as the devastating state between waking and dreaming is known).   

Sturridge holds court not only as Morpheus, but as the narrator too. His clear and noble voice brings a sense of classicism, whilst his haunting expressions and emaciated frame in imprisonment add a huge vulnerability and depth to his character.

It is only upon his escape that much of the Sandman arc unfolds as the protagonist sets out to restore the kingdom; viewers are then pulled away from his narrative and introduced to a host of strange characters who each have their own story. There is little room for humour as the series rolls along like a dark amalgamation of the Harry Potter tales. There’s a cute pet gargoyle who meets his fate when his two owners, Cain (Sanjeev Bhasker) and Abel (Asim Chaudhry), are locked in an eternal mortal duel; Morpheus’s pet crow succumbs to tragedy, and sweeping views show mystical lands that turn to rubble. Prospective audiences should be sure to expect a depressing slant on a fantasy tale.

Characters are brought to life by a host of seasoned actors, who move the fantasy along: the Corinthian is played with gusto by Boyd Holbrook, alongside Jenna Coleman (as Johanna Constantine), Joely Richards (as Ethel Cripps) and the rather brilliant and convincing David Thewlis as her son, John. There is some awfully good on-screen chemistry that makes all these roles believable, in turn reflecting Lucinda Syson’s expertise as casting director. 

The Sandman series is packed to the brim with plot lines of romance, death and dreaming – clearly a passion project from Gaiman that’s been brought to light. It’s not for the fainthearted, with some uncomfortable darker tones and elements of horror, but it’s an epic adventure that fans will hope gets a second season.

Ezelle Alblas

The Sandman is released on Netflix on 5th August 2022.

Read interviews with Neil Gaiman and Allan Heinberg here, with Boyd Holbrook and Vanesu and Samunyai here and with Tom Sturridge and Vivienne Acheampong here.

Watch the trailer for The Sandman here:

More in Shows

Industry is back this January with new rivalries and global ambition

The editorial unit

Hugh Jackman and Jodie Comer star in dark reimagining The Death of Robin Hood, coming soon to UK cinemas

The editorial unit

Will Ferrell, Natalie Portman and Mark Ruffalo voice award-winning animated feature Arco, landing in UK cinemas this March

The editorial unit

“You don’t get bored watching Steven Knight’s work”: Darci Shaw and James Nelson-Joyce on A Thousand Blows season two

Sarah Bradbury

Hamnet

Mae Trumata

Giant

Laura Della Corte

“In season one they discover they are siblings, and in season two they try to be siblings”: Tomohisa Yamashita, Fleur Geffrier, Sébastien Pradal and Klaus Zimmermann on Drops of God season two

Sarah Bradbury

“People don’t associate Agatha Christie with being funny”: Martin Freeman, Chris Chibnall, Mia McKenna-Bruce & Edward Bluemel on Seven Dials

Sarah Bradbury

Waiting for the Out

Andrew Murray