Dizney in Drag: Once Upon a Parody at Underbelly Festival

Australian-based creative force The Hairy Godmothers invite us into a whole new world as they present some much-loved Disney characters in an alternative light. Over the course of just 60 minutes, we follow Hero as they embark on a quest to find their one true love. After all, Disney has been telling us for years that there is one person out there to complete us and Hero is determined to find their match.

Jae West excels in the role, immediately getting us on side and displaying excellent comic timing whenever on stage – her exaggerated gestures and facial expressions sending up the host of famous characters she is based on. Owen Merriman’s Hairy Godmother also breaks the fourth wall and humorously communicates with the crowd, even impressively staying in character when some minor technical issues occur. Merriman is the brains behind the company and his love for what he is doing radiates out into the enthused audience. Everyone is up for a good time and the ensemble are more than happy to oblige. 

In many ways, the production is not dissimilar to a good old-fashioned panto, albeit with more vulgarity and crude witticisms. The faint of heart might want to sit this one out, and although the world of Disney takes centre stage, this is far from a family show. Instead, we witness a certain redhead mermaid playing with sex toys and a well-known fairy educating us about the menstrual cycle through song. Brimming with almost constant jokes, this is a raucous ride with countless laugh-out-loud moments and some shocks to boot.

Audience participation is integral to the production. Tonight, several spectators volunteer to go up on stage and there is much interaction between the actors and the crowd. Beneath all the high-octane campness, sexuality, gender and identity, as well as the idea of masculinity, are placed under the microscope. The world of apps and online dating is also suitably scrutinised. Jokes aside, the show is also refreshingly real and informative while projecting positivity. A pithy and pacy script prevents it from ever becoming preachy, however, and just when things might potentially turn serious, another outlandish gag lands – quite literally at one point.

The concept of consent is effectively explored, and the overall message is that self-love and self-expression are essential for our happiness. With sharp satirical observations, hilariously over-the-top performances and a well-thought-out concept, Dizney in Drag is a racy and rambunctious respite from reality.

Jonathan Marshall
Image: Antony Edwards

Dizney in Drag: Once Upon a Parody is at Underbelly Festival from 4^th until 14^th July 2024. For further information or to book visit the theatre’s website here.