Adele: Ten Munich moments that remain in our hearts

There’s a saying that’s getting popular by the hours about Adele, that is – “Adele doesn’t come to you — you go to Adele,” which is true, especially with what we’ve witnessed from her “Adele In Munich” show, which started on the 2^nd of August and ended on the 31^st of the same month.

The “Adele In Munich” show was a complete reminder of her prowess in the music industry. She started out dropping hits, back-to-back, like “Set Fire In the Rain,” “Hello” and also “Easy on Me.” All songs topped charts when they were released, and maintained their positions because they were relatable, and the time they were dropped was the perfect timing.

Even though she has only been in the industry for 18 years, her trail is covered with amazing achievements that stand as reminders of the magic she has created in the span of those 18 years. Part of her recent projects includes two residencies, with one focusing on her fans in the United States, and the other in Munich, which is the basis of this article.

Adele visited Munich and left a piece of her in the hearts of her fans there. It’s more like a void that cannot be filled by any other artist, but Adele. With the news about her taking a break from the stage in 2024, if you’ve missed the Munich residency, then the only way to meet her again is by attending her shows in the US. In that case, you can easily find Adele tickets through a secondary marketplace.

Moving on, let’s check out the 10 Munich moments that remain in our hearts.

Ten Munich moments that remain in our hearts

Adele once said, “She has a big personality. She walks into a room, big and tall and speaks loud,” and she made it clear with her Munich shows. Her fans saw more of her confidence in herself, which also contributed to building their confidence in themselves. Here are the 10 Munich moments that remain in our hearts

She is the world

Fans had access to Adele World, a miniature theme park with food and drink stands, two carnival rides, a second stage, and an enormous boutique-sized gift shop, both before and after the show. A faux biergarten, a bar for Adele (Aperol) Spritzes, and even a stand for spätzle – it was all goofy, but crazy fun.

All of it produced a pleasant feeling of occasion. These performances were huge, but tailgating isn’t appropriate in a location that depends so heavily on public transit. Why not ride the Ferris wheel if you’re going to be there early?

Rumour on Video

The logical place to start is with “Hello.” A few years ago, she told Oprah Winfrey, “I’m always going to start with ‘Hello.” However, Adele’s performance of “Rumour Has It,” the second song, really brought the presentation up a notch by showcasing the capabilities of the video screen. Adele was performing one of her most powerful songs when tabloid-style graphics appeared on the screen behind her, almost making the whole sky appear to light up. Yes, the vision was clear.

However, it was equally bold and confrontational as the song itself. Adele’s Munich presentation grows large quickly in contrast to her Las Vegas show, which begins with the spotlight on her and progressively unveils band members and backing singers. The video creates a feeling in your body, just like the bass.

A modest proposal

Adele lowered the ante after “Rumour,” confessing to being nervous and requesting that the background singers remove the train from her dress after it had become wet, due to the rain. Despite any nervousness she may have had, she appeared to be having a great time.

Adele even received credit for helping a couple in the audience propose after “Water Under the Bridge.” She inquired, “How long have you guys been together?” “F– me, 17 years!” She offers this level of intimacy during her Las Vegas residency, so it shouldn’t be appropriate in a space that is nearly twenty times larger. However, it did.

The kid was alright

Adele transitioned from an oversized diva to a captivating character every few songs. She once invited a 7-year-old child and his elder sibling onstage. Dion was his name. “Dion, what is your age?” Adele enquired. “All right,” he answered.

After spending the afternoon with Liverpool supporters at Adele World, his sister told the singer how much she had enjoyed the drinks there. “How did you make sense of them?” Adele answered her pulse on time. It gave a show that otherwise may have caused sensory overload a welcome dose of lightness.

Piano man

Midway through the performance, Adele took the audience by surprise by performing on a small stage between the standing and seated sections – only her pianist, Eric Wortham II. A nice change was this cosy arrangement against a detailed screen.

The song “Make You Feel My Love” by Bob Dylan, which she had introduced from her debut album, was her first song to be heard in Germany. Enthralled with the spectacle, the audience became silent, and the screen ceased to be a hindrance.

Skyfall as big as the sky

Adele remained on the platform but replaced her pianist with a string quartet for “Skyfall,” a song she recorded for the James Bond film of the same name. It was a performance that showcased both her power and accuracy, with her complete band on the main stage and string musicians on the semicircular walkway that connected it to the platform.

Its sky, sea, and Bond, and Adele’s soaring vocals made the screen appear as big as the sky. As she sang on the podium, smoke columns erupted around her. It’s a Bond film’s opening sequence brought to life on a big scale.

Fire and rain

After a brief video interlude and a quick hair and makeup touch-up, Adele delivered a show-stopping rendition of “Set Fire to the Rain.” While there was no water on stage like in her Vegas show, the video effects and bursts of real fire made the performance larger than life, with the heat from the flames palpable in the audience.

Genuine joy

Adele has a unique ability to poke fun at herself, which keeps the show from becoming too serious. At one point, she read out a seat number and mentioned there was an envelope with 50 Euros taped underneath – a much funnier moment live than it might seem in print.

Just like in Las Vegas, she also used a T-shirt cannon to shoot souvenirs into the crowd. Although the size of the venue made it difficult for fans to catch them, Adele’s sheer enjoyment of the activity was contagious.

Youthful nostalgia

During her performance of “When We Were Young,” the screen behind Adele displayed giant images bordered by a frame that mimicked analogue film, turning childhood photos into larger-than-life visuals. The finale was marked by a shower of confetti designed to look like old Polaroids, a clever touch that added to the nostalgia.

The grand finale

The concert wrapped up with “Rolling in the Deep,” the perfect choice to end the night. After expressing her gratitude to the audience and the event organisers—joking that she’d only trust Germans with such complex logistics – Adele delivered a powerful rendition of her most energetic song.

The performance was accompanied by more confetti and an impressive fireworks display, which would have overwhelmed most acts, but Adele and her band easily handled it. By the end, she had been everything from emotional and nervous to funny and triumphant, fully deserving of the night’s final applause.

The editorial unit