Dream logic abounds in The Tempest, which is given an energetic new...
A signal of the return to pre-Covid normality might be the reemergence of the loathsome,...
Emma Seligman’s debut, an expansion of a short thesis film, is a slim and intermittently...
Amelie, the 2001 film, has an odd reputation. Its whimsical, touristic...
There is something to be said for the power to make an audience...
For the Sake of Vicious is a daffy if uncharismatic Canadian thriller from the genre...
Our serial-killer obsession meets Hollywood satire in I Blame Society, an inventive new comedy...
Final Days begins with a familiar image: alone, trudging around his home, an ill man...
The Andy McNab phenomenon is easy to miss if one isn’t inclined toward the nationalistic,...
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