I Am Belfast is a rich and detailed visual essay, if one that occasionally loses focus under...
Michael Keegan-Dolan is an award-winning contemporary choreographer, and is...
Currently training at EDSA Performing Arts School in Hitchin, Max Gill plays the lead role...
The feature-length debut of Chilean director Pepa San Martín, engaging family drama...
Quentin Tarantino’s The Hateful Eight opens with a remarkable image: Samuel L Jackson’s...
In today’s diverse societies, it is...
In the depths of a north Alaskan winter, Yasmin has arrived to confront...
Watching Unbranded creates a deep yearning for the vast, open West. Phillip Baribeau’s new...
Told over 30 years and in seven different languages, Colombian...
Hoarding has long been a subject of fascination for storytellers and audiences alike, spawning countless pseudo-docs offering an exploitative peek into the lives of sufferers. Emerging playwright Chloe Lawrence-Taylor is clearly fascinated with the subject, too, but presents a more sympathetic, nuanced view in Personal Values. Stuck (almost literally) in her overstuffed...
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