It’s always fascinating to see plays that manage to explore both the deeply specific...
Few modern classical composers have succeeded in...
The fragmented structure of Michelle Barnette’s debut play can take...
Successful children’s theatre tends to master the fine art of...
It’s often difficult to stage Restoration-era comedies such as...
English National Opera has had a trying few years. Amid financial...
From the opening number of Caroline, or Change, featuring singing...
EM Forster’s elegant prose style, one of the greatest features of his...
Puccini’s warhorse opera is inveterately popular. The convoluted and...
The extreme gore of Titus Andronicus, not the best or most well-known of...
Hoarding has long been a subject of fascination for storytellers and audiences alike, spawning countless pseudo-docs offering an exploitative peek into the lives of sufferers. Emerging playwright Chloe Lawrence-Taylor is clearly fascinated with the subject, too, but presents a more sympathetic, nuanced view in Personal Values. Stuck (almost literally) in her overstuffed...
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