As if churning out play after critically acclaimed play were not enough,...
Eva Sampson is co-artistic director of How It Ended, an inventive...
The historical importance of Bertolt Brecht’s musical The...
There are echoes of Waiting for Godot in Harold Pinter’s 1959 play The...
Katy Arnander is Director of Programme at London’s...
Transports, the first of Pipeline Theatre’s three plays, is currently...
Deborah Pearson is a writer, performer, producer and the founder of...
Puppet violence is nothing new. Just ask Punch and Judy. But with Hand to God...
Indian cuisine may be a long-held British favourite, but your average Brit...
Only one Kanada-Ya in London clearly does not suffice, as a new branch of the...
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