The Final Stand opens grey and gloomy, cold into action with rain pelting, mud everywhere...
As formal critics were resoundingly disapproving of The Hitman’s...
Narration is tricky. When executed well, it’s a nice way to introduce some introspection and...
The premise of Fatherhood is more than serviceable. Based on the bestselling memoir Two Kisses...
The feature directorial debut of Arseny Syuhin, The Superdeep follows a team of scientists and...
Palestinian comedy It Must Be Heaven follows its director (Elia Suleiman) from Nazareth to...
Monica Zanetti’s Ellie and Abbie (and Ellie’s Dead Aunt) is...
Based on the novel of the same name, which was written by a mute Japanese...
Once more unto the breach and into the magical world of musical cinema with another...
The directorial debut of Final Destination screenwriter Jeffrey Reddick, Don’t Look Back...
It’s not often you find theatre directors and writers describe their work as idiotic, but that’s exactly what Cole Escola and Sam Pinkleton do in the programme for their Tony-award winning play Oh, Mary! Portraying the farcically fictional story of First Lady Mary Todd, wife of the 16th President of the United...
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