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LATEST ARTICLES
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Cinema & Tv
BIFA 2022 nominations: Interviews with Sam Claflin, Kosar Ali, Rosy McEwen and Kila Lord Cassidy
Sarah Bradbury
7th November 2022
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“Haiti’s story is always told by the West – we wanted to reverse the narrative”: Eddie Hutton-Mills on Kanaval: A People’s History of Haiti in Six Chapters
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7th November 2022
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“We think and dream together, our collaboration is synergistic”: Saul Williams and Anisia Uzeyman on Neptune Frost
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5th November 2022
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“It talks about the glory of cinema and mortality – but audiences can also have a real laugh watching it”: Kim Hopkins and the Bradford Movie Makers on A Bunch of Amateurs
Sarah Bradbury
5th November 2022
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“It was by far the hardest film I’ve ever made”: Matthew Heineman on National Geographic documentary Retrograde
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5th November 2022
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The Bastard Son and the Devil Himself: Interviews with Jay Lycurgo, Emilien Vekemans, Isobel Jesper Jones and Nadia Parkes
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“In this business, the better the script is, the harder it is to get it made”: Thomas Jane on Troppo
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1st November 2022
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“At a certain point there’s enough stuff in your notes you start to feel it wants to be a story”: Fridtjof Ryder and Rory Alexander on Inland
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1st November 2022
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“Being a playwright is the best job in the world in my opinion”: Writer Nathan Ellis on Super High Resolution
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26th October 2022
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“She’s a powerhouse”: Mali Ann Rees, Jordan Wilks and Lloyd Everitt on The Pact season two and working with Rakie Ayola
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