Hoarding has long been a subject of fascination for storytellers and audiences alike, spawning...
Gary Owen’s modern rendition of the classic Henrik Ibsen play Ghosts is a...
Based on Simone de Beauvoir’s unpublished novel, The Inseparables...
The NHS sees approximately a million people in need of care and treatment each...
On Tuesday the 29th of April,...
Soho’s cocktail bar Nessa will...
Ave Mario, the Covent Garden outpost operated by the Big Mamma...
Little Bat Bar in Islington will unveil a new restaurant...
Boy Hits Car are something of a relic; representing a bygone era of late 90s...
Glaswegian duo Shona McVicar and Shina Tweeddale make up Honeyblood, and their...
Pillars is the debut album from Josh Record, an alternative/indie musician who...
Bankside Gallery has recently opened its exhibition Off the Wall, a...
London-based singer-songwriter Jon Allen is relentlessly compared to other artists,...
Stranded on a desert island, four plane crash survivors – three bored office workers...
Stories of love and war are traditionally intertwined and conveyed via the epic genre. Conversely...
You take your seat for the play, sure of your stance and of your expectations,...
A gentle, bluesy album by folk artist John Fullbright, Songs is a wonderful record...
Hoarding has long been a subject of fascination for storytellers and audiences alike, spawning countless pseudo-docs offering an exploitative peek into the lives of sufferers. Emerging playwright Chloe Lawrence-Taylor is clearly fascinated with the subject, too, but presents a more sympathetic, nuanced view in Personal Values. Stuck (almost literally) in her overstuffed...
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