London Film Festival 2022

Klokkenluider: On the red carpet with the cast and creatives

Dark comedy-thriller Klokkenluider is a character-driven drama that brings together a collaboration between executive producer Ben Wheatley and actor-turned-director Neil Maskell, alongside a cleverly...

Ezelle Alblas

“Tegan and Sara’s discovery of sexuality and music really felt like my coming of age”: Clea DuVall and twins Seazynn and Railey Gilliland on High School

Ezelle Alblas

“When we talk about wounds in our history, the trauma has to be revised over and over so that we can overcome it”: Manuela Martelli on political thriller 1976

Matthew McMillan

“Empathy is about the best tool to help shift opinions”: Director Phyllis Nagy on Call Jane

Matthew McMillan

“At a certain point there’s enough stuff in your notes you start to feel it wants to be a story”: Fridtjof Ryder and Rory Alexander on Inland

Mae Trumata

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Film festivals
The English
★★★★★

Hugo Blick’s western miniseries, The English is something of a meeting of...

Matthew McMillan 28th October 2022
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Cinema & Tv
“There’s a paradoxical relationship in which you know you’re really loved but also really hated”: Martine Syms on The African Desperate

Sarah Bradbury 25th October 2022
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Film festivals
Kanaval: A People’s History of Haiti in Six Chapters
★★★★★

Each year, during the lead up to...

Matthew McMillan 17th October 2022
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Film festivals
“I feel like we’ve caught a nice wave of people re-discovering the joys of the genre”: The cast and director of Glass Onion: A Knives Out Mystery at the London Film Festival 2022 press conference

Matthew McMillan 17th October 2022
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Film festivals
She Said
★★★★★

Based on the 2019 book of the same name by Megan Twohey and Jodi Kantor...

Umar Ali 17th October 2022

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London Film Festival 2022

Klokkenluider: On the red carpet with the cast and creatives

“Tegan and Sara’s discovery of sexuality and music really felt like my coming of age”: Clea DuVall and twins Seazynn and Railey Gilliland on High School

“When we talk about wounds in our history, the trauma has to be revised over and over so that we can overcome it”: Manuela Martelli on political thriller 1976

“Empathy is about the best tool to help shift opinions”: Director Phyllis Nagy on Call Jane

“At a certain point there’s enough stuff in your notes you start to feel it wants to be a story”: Fridtjof Ryder and Rory Alexander on Inland

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