LFF
The Assessment
In a future where limited resources have made bringing new life into the world subject to strict regulation,…
By Selina SondermannLondon
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LFF
The Wild Robot
DreamWorks as a studio has always favoured stories that combine two things that normally don’t go together and…
By Mae Trumata
LFF
Queer
Martin Scorsese is credited with popularising the concept of making “one for them, one for me”: sustaining a…
By Selina Sondermann
LFF
Elton John: Never Too Late
It has been quite a few years for Elton John, from returning to pole position in the charts…
By Ronan Fawsitt
LFF
Savages
Claude Barras, the acclaimed stop-motion director behind the 2016 Oscar-nominated film My Life as a Courgette, returns with…
By Ronan Fawsitt
LFF
Good One
At 17, it’s already readily apparent that the adults in your life are more fragile than perhaps you…
By Thomas Messner
LFF
Nickel Boys
To truly have walked in another man’s shoes, is it better to have seen his life reflected in…
By Thomas Messner
LFF
Two Strangers Trying Not to Kill Each Other
The first film to be captured on the mirrorless Leica SL2-S, Jacob Perlmutter and Manon Ouimet’s picturesque and…
By Christina Yang
LFF
Eat the Night
Eat the Night is the second feature film of out-of-the-box directorial duo Caroline Poggi and Jonathan Vine, following…
By Georgina Elliott
LFF
The Village Next to Paradise
Set in a rural village in the Somali desert ravaged by both natural and man-made disasters, Mo Harawe’s…
By Christina Yang