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  Berlinale

  “Great art allows you to put yourself into it”: An interview with Last and First Men cinematographer Sturla Brandth Grøvlen
  Selina Sondermann 27th February 2020
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  Berlinale

  DAU. Natasha press conference: The bizarre alternate reality of the DAU project

  The magnitude of the DAU project, which...

  Oliver Johnston 26th February 2020
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  Berlinale

  A Common Crime (Un Crimen Común)

  ★★★★★

  From the outset A Common Crime puts the viewer in a place...

  Emily Harrison 26th February 2020
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  Berlinale

  The Twentieth Century

  ★★★★★

  Canadian director Matthew Rankin is no stranger to the Berlin Film...

  Francis Nash 26th February 2020
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  Berlinale

  Orphea

  ★★★★★

  Costumes creatively reimagined through discarded objects, chilling operatic...

  Lora Maslenitsyna 26th February 2020
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  Berlinale

  Eeb Allay Ooo!

  ★★★★★

  Eeb Allay Ooo!’s cryptic title is handily explained in the opening frames...

  Oliver Johnston 26th February 2020
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  Berlinale

  Hope (Håp)

  ★★★★★

  The general premise of Hope sounds undeniably bleak, and even a little familiar....

  Oliver Johnston 26th February 2020
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  Berlinale

  Kill It and Leave This Town (Zabij to i wyjedz z tego miasta)

  ★★★★★
  Guy Lambert 26th February 2020
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  Berlinale

  Red Moon Tide (Lúa vermella)

  ★★★★★

  Lois Patiño delivers a slow-burning mediation in Red Moon...

  Mary-Catherine Harvey 26th February 2020
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  Berlinale

  Pompei

  ★★★★★

  Set in a rural, bleak and deserted environment where adulthood and society are...

  Bev Lung 26th February 2020
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