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  • Berlinale
    The Thing with Feathers

    In his first time directing solo and in fictitious spheres,...

  • Berlinale
    Blue Moon

    Just over a decade after Richard Linklater last appeared at Berlinale and won the...

  • Berlinale
    The Message

    Subverting the familiar fairytale narrative, The Message (El mensaje) offers a...

  • Berlinale
    Mother’s Baby

    With the global rise of the far-right and their limitation of access to...

  • Berlinale
    After This Death

    The artist as a reluctant idol, detached from the influence they wield, is...

  • Berlinale
    If I Had Legs I’d Kick You

    Mary Bronstein’s long-awaited return after her 2008...

  • Berlinale
    The Blue Trail

    In a near future eerily similar to our own, Gabriel Mascaro’s The Blue...

  • Berlinale
    Honey Bunch

    A certain melancholia lingers over Honey Bunch, the latest from writer-director...

  • Berlinale
    Shadowbox

    One of the changes under Tricia Tuttle’s first Berlinale is the introduction of...

  • Berlin Film Festival 2025: What Marielle Knows | Review

    The 75th edition of the Berlinale seemed set on breaking with stereotypes. Perhaps a shock to many, the Competition film that garnered the most laughs from its international audience was the sole German entry, What Marielle Knows. Even the decision to include Frédéric Hambalek’s sophomore feature and bench more established directors into...