In his first time directing solo and in fictitious spheres,...
Just over a decade after Richard Linklater last appeared at Berlinale and won the...
Subverting the familiar fairytale narrative, The Message (El mensaje) offers a...
With the global rise of the far-right and their limitation of access to...
The artist as a reluctant idol, detached from the influence they wield, is...
In a near future eerily similar to our own, Gabriel Mascaro’s The Blue...
A certain melancholia lingers over Honey Bunch, the latest from writer-director...
One of the changes under Tricia Tuttle’s first Berlinale is the introduction of...
The 75th edition of the Berlinale seemed set on breaking with stereotypes. Perhaps a shock to many, the Competition film that garnered the most laughs from its international audience was the sole German entry, What Marielle Knows. Even the decision to include Frédéric Hambalek’s sophomore feature and bench more established directors into...
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