Joe is a Media and Modern Literature graduate of Goldsmiths, hailing from Gloucestershire. Usually spotted sitting, standing or swaying from side to side in audiences across London, he loves nothing more than writing about film, theatre, music and video games. Recently home from travels in the far east, Joe is loving being back in the land of warm beer and mature cheddar. If you have some spare time, you can read his blog http://www.script-a-day.com/ or follow Joe on Twitter @joemannerslewis.
When a film has a narrator it’s always fun to try and guess whether they’re...
The six short films amalgamated into Wild Tales cover plenty of ground: part action, part...
A staple of the Berlin festival, Rosa von Praunheim’s stylised brand of...
Set on the Taiwanese island of Kinmen against a backdrop of military...
Love Is Strange’s most meaningful moments are in the tiny revelations regarding the complicated...
There’s something to be said for judging a musical on its own terms. Wicked...
In the 20 years since Richard Alston Dance Company began its...
David Altmejd is bound unequivocally to the human form, but never...
There’s little to tie the four performances that make up 503Fusions together....
During its first West End run in 2006, Wicked grabbed a certain section of...
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